It seemed a fair question to ask myself, since that’s exactly what I was doing. I don’t have a clear answer, possibly due to the drink. Lamott is famous for writing […]
Is It Okay to Drink and Read Anne Lamott?
7 Reasons Dog Tricks Can Save Your Life
They say depression has tripled in the United States since the start of the pandemic, with corresponding increases in suicide rates, domestic abuse, and addictions. If you’re feeling down or even desperate, and scrolling through puppy pictures just isn’t enough for you, consider teaching a dog a trick. And here’s why:
What She Said, October 11: Maxine Hong Kingston
In a time of destruction, create something. A poem. A parade. A community. A school. A vow. A moral principle. One peaceful moment. -Maxine Hong Kingston
What She Said, October 7: Madeline L’Engle
Creative scientists and saints expect revelation and do not fear it. Neither do children. But as we grow up and we are hurt, we learned not to trust. -Madeline L’Engle
What She Said, May 15: Joyce Carol Oates
Keeping busy is the remedy for all the ills in America. It’s also the means by which the creative impulse is destroyed.- Joyce Carol Oates
What She Said, April 28: Joy Harjo
There is no poetry where there are no mistakes.
– Joy Harjo
Creativity During Crisis or Five Reasons I Need Tim Gunn More Than Ever
I’m having a creative crisis along with the stress of the global pandemic outside my door and the uncertainty of life when we emerge. I’m trying to take the ‘extra’ time I […]
Tucked Away by Ann LaBar Russek
It’s a New Year and time to “untuck” in 2020. Find some time with pen in hand, and let loose those private aspirations, those longings you’ve kept tucked away for a very […]
For My Birthday I’m Marie Kondo’ing My Mind
I saw George Kalogridis, the current President of Walt Disney World, at an event in Orlando recently. Someone said to him, “Of course, you know Alice.” He had the same you-look-so familiar-to-me […]
On the Writing Process
I don’t believe there is a strategy that guarantees success, and the things we are so often told to do—because successful writers do them—may not be universal. That is, we think they’re successful strategies because successful writers engage in them, but what if they just work particularly well for those particular writers? What if our own individual processes must be designed specifically for us, an extension of who we are and also a creation of our own weird and wondrous imaginations?
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